Color is the foundational language of visual communication. But in the digital world, it often behaves differently than we perceive it in real life. For decades, monitors and printers relied on RGB and CMYK—practical yet imperfect systems. It wasn’t until the arrival of LCH that we gained a way to describe color the way the human eye actually sees it.
Where the LCH Color Space Came From—And Who Created It
The LCH (Lightness, Chroma, Hue) color space emerged in the late 1970s and early ’80s as a more intuitive extension of CIELAB (CIE 1976), developed by the International Commission on Illumination (CIE). Its goal was to break free from earlier models that defined colors mathematically rather than perceptually.
LCH adopted three essential attributes—lightness, chroma, and hue—and organized them into a circular model. That structure made it possible to describe colors more naturally, almost as if you were explaining them in words.
Since its introduction, LCH has become one of the most important tools in color calibration, printing, product design, and digital interface development.

Why LCH Was a breakthrough
The LCH (Lightness, Chroma, Hue) model was revolutionary because it allowed color to be described according to human perception. Unlike RGB or CMYK, which originate from technical display principles, LCH works with the attributes our eyes actually respond to—brightness, intensity, and hue.
This approach brought unprecedented accuracy across media and devices, enabling designers and print professionals to maintain visual consistency more reliably. LCH ultimately became the foundation for modern color systems—from CIELAB to the more recent CSS Color Level 4 now used on the web.
LCH in Modern Design
For many years, LCH was used mainly in professional graphic applications. But with the arrival of the CSS Color Module Level 4, it became available to the web as well. Developers can now use lch() directly in code, precisely controlling hue, contrast, and visual hierarchy.
This shift means web colors are no longer constrained by the technical limits of older models. With LCH support, modern browsers can render far more faithful color across devices—helping designs look consistent on screens, in print, and on mobile.
LCH has also paved the way for advanced models like OKLCH, a modern variant introduced by Bjørn Ottosson in 2020, which solves several limitations of the original and offers even more natural color transitions.

How LCH Is Changing Brand Design
A brand’s visual identity depends on precision. Every shade carries meaning—and even slight variations can alter the entire impression.
Models like LCH (and the newer OKLCH) can’t guarantee that a color will appear identically on every device or in every print—each medium has its own technical constraints. What they can do is describe color in a way that aligns with how humans perceive it, rather than how a device reproduces it. That makes it possible to achieve consistent interpretation across media—delivering the most faithful appearance each device can produce.
In an era where AI can instantly generate palettes and layouts, LCH gives designers something increasingly valuable: control. Not by standardizing every output, but by allowing them to make intentional decisions about how color feels—its lightness, intensity, and hue, as seen by the human eye.
With LCH, the designer doesn’t lose agency to the algorithm. Quite the opposite—they gain a clearer, more nuanced way to shape visual meaning. And at a time when brands seek authenticity and visual certainty, that’s what separates thoughtful design from mass-generated aesthetics.

